Lisa/Roy

Once More…Dear Friends: Seven

Their world has changed. Drama with Romance, I-4

The first assassination attempt should probably not have come as a surprise. And, in a way, it didn’t.

Counterpoint: Previous Experience

Lisa gets tired of waiting and coaxes Roy into bed. Romance with Porn, I-4

“Lisa.” The whisper drew her attention from his hands to his face, and her lips parted. Roy was looking at her—at nothing but her—with a focus she’d only ever seen when he faced mortal danger. Except that, where his eyes were cold, then, they were warm now.

Once More…Dear Friends: Six

Lisa and Roy reach an understanding. Romance, I-4

“I’ve never met another woman who’s so beautiful when she isn’t trying.”

Once More…Dear Friends: Three

Roy comes to some realizations and starts to move again. Drama, I-3

Lisa had been a sweet, cheerful girl, when he’d met her. But she’d been seventeen at the time. He hadn’t been surprised that she’d become more solemn, when she showed up as his new Second Lieutenant two and a half years later. People changed as they grew up.

Once More…Dear Friends: Two

What does a career soldier do when he loses his career? And what do his friends do about him? Drama, I-3

Roy’s past slid through his fingers into a box: a folded “portrait” of him, product of Elysia’s first finger paints; a box with his captain’s insignia—so that’s where it had gone; two letter openers, one of them an old knife of Hughes’.

Once More…Dear Friends: One

Roy recovers and Lisa keeps watch. Drama, I-4

Hawkeye crossed one slippered foot over her knee and rubbed her toes. “I should have kept you at my apartment longer,” she said with some asperity. “At least I could walk across my guest room without tripping over anything.”

Once More…Dear Friends: Prologue

Roy wakes up in the hospital. Drama, I-3

Roy woke far more slowly than usual, which would have been his first clue that something was wrong, had he needed a clue.